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The art of the Kraft

25 years of the most influential group in electronic pop The Guardian, 26 February 1997 Frieze, December 1997 I Like an indefinitely extended version of John Cage’s notorious composition 4’33”, there has been silence from the Kling Klang recording studio in Düsseldorf for the last six years, although we may assume that Ralf Hütter and […]

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The object of love

In the mutable world of pop Morrissey maintained a fixed vision for more than a decade. In return for his articulate expressions of angst, his fans have offered as dogged an appreciation as the themes of their hero The Guardian, 26 February 1994 I was never interested in The Smiths. My brother gave me a […]

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